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Andrey Nosov's Guitar School

Self-study for the classical guitar, sheet music for the guitar of all styles, genres, and types.


GUITAR LESSONS

Page 4 > Lessons 121-165

If you have reached this page searching for guitar training, I would like to advise you to first read the information on the main page to learn about the essence of Andrey Nosov's Guitar School and specifically what to expect from the training.

Lesson no.121

#Exercise 1: G(SOL)-MINOR chromatic scale (the whole passage). #Exercise 2: F(FA)-MAJOR scale in double octaves (the whole passage). #Exercise 3: Downward Double-Mordents (1 exercise). #Music from the film "THE GODFATHER" (N.Rota), bars 38 – 41.  

Lesson 121 consists of 9 A4 PDF pages/909КB    
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Lesson no.122

#Exercise 1: G(SOL)-MINOR chromatic scale (acceleration of the performance speed). #Exercise 2: Variation of F(FA)-MAJOR scale in double octaves. #Exercise 3: Downward Double-Mordents (1 exercise). #Music from the film "THE GODFATHER" (N.Rota), bars 42 – 51.

Lesson 122 consists of 11 A4 PDF pages/0.90МB    
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Lesson no.123

#Exercise 1: G(SOL)-MINOR chromatic scale – universal. #Exercise 2: C(DO)-MAJOR scale in double tenths (first half). #Exercise 3: Downward Double-Mordents (1 exercise). #Music from the film "THE GODFATHER" (N.Rota), bars 52 – 62.

Lesson 123 consists of 13 A4 PDF pages/1.11МB. Audio file is included in the lesson.
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Lesson no.124

#Exercise 1: G(SOL)-MINOR chromatic scale – universal (acceleration of the performance speed). #Exercise 2: C(DO)-MAJOR scale in double tenths (the whole passage). #Exercise 3: Downward Double-Mordents (1 exercise). #"GREENSLEEVES" (English folk song), bars 1 – 4. Arr. for guitar by A.Nosov.

Lesson 124 consists of 9 A4 PDF pages/642КB    
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Lesson no.125

#Exercise 1: G(SOL)-MINOR chromatic scale – universal, with changing dynamics. #Exercise 2: Variation of C(DO)-MAJOR scale in double tenths. #Exercise 3: Downward Double-Mordents (1 exercise). #"GREENSLEEVES" (English folk song), bars 5 – 8.

Lesson 125 consists of 9 A4 PDF pages/724КB    
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Lesson no.126

#Exercise 1: G(SOL)-MINOR chromatic scale – universal, with changing dynamics (perfecting the skills acquired in the previous lesson). #Exercise 2: G(SOL)-MAJOR scale in double tenths (first half). #Gruppettos. Upward Gruppettos. #Exercise 3: Upward Gruppettos (8 exercises). #"GREENSLEEVES" (English folk song), bars 9 – 12.  

Lesson 126 consists of 18 A4 PDF pages/1.22МB. Link for viewing/downloading the video and audio file are included in the lesson.
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Lesson no.127

#Exercise 1: G(SOL)-MAJOR scale passage with the "Legato" technique (first segment). #Exercise 2: G(SOL)-MAJOR scale in double tenths (the whole passage). #Exercise 3: Upward Gruppettos (1 exercise). #"GREENSLEEVES" (English folk song), bars 13 – 16.  

Lesson 127 consists of 9 A4 PDF pages/866КB    
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Lesson no.128

#Exercise 1: G(SOL)-MAJOR scale passage with the "Legato" technique (second segment). #Exercise 2: Variation of G(SOL)-MAJOR scale in double tenths. #Exercise 3: Upward Gruppettos (1 exercise). #"GREENSLEEVES" (English folk song), bars 17 – 20.  

Lesson 128 consists of 12 A4 PDF pages/1.16МB    
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Lesson no.129

#Exercise 1: G(SOL)-MAJOR scale passage with the "Legato" technique (the whole passage). #Exercise 2: D(RE)-MAJOR scale in double tenths (first half). #Exercise 3: Upward Gruppettos (1 exercise). #"GREENSLEEVES" (English folk song), bars 21 – 24.

Lesson 129 consists of 11 A4 PDF pages/1.22МB      
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Lesson no.130

#Exercise 1: G(SOL)-MAJOR scale passage with the "Legato" technique (acceleration of the performance speed). #Exercise 2: D(RE)-MAJOR scale in double tenths (the whole passage). #Exercise 3: Upward Gruppettos (1 exercise). #"GREENSLEEVES" (English folk song), bars 25 – 28.  

Lesson 130 consists of 11 A4 PDF pages/1.42МB      
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Lesson no.131

#Exercise 1: G(SOL)-MAJOR scale passage with the "Legato" technique – universal. #Exercise 2: Variation of D(RE)-MAJOR scale in double tenths. #Exercise 3: Upward Gruppettos (1 exercise). #"GREENSLEEVES" (English folk song), bars 29 – 32.

Lesson 131 consists of 11 A4 PDF pages/1.56МB      
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Lesson no.132

#Exercise 1: G(SOL)-MAJOR scale passage with the "Legato" technique – universal (acceleration of the performance speed). #Exercise 2: A(LA)-MAJOR scale in double tenths (first half). #Exercise 3: Upward Gruppettos (1 exercise). #"GREENSLEEVES" (English folk song), bars 33 – 38.  

Lesson 132 consists of 10 A4 PDF pages/1.52МB. Audio file is included in the lesson.
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Lesson no.133

#Exercise 1: G(SOL)-MAJOR scale passage with the "Legato" technique – universal, with changing dynamics. #Exercise 2: A(LA)-MAJOR scale in double tenths (the whole passage). #Exercise 3: Upward Gruppettos (1 exercise). #"MORNING OF CARNIVAL" from the film "BLACK ORPHEUS" (L.Bonfa), bars 1 – 6. Arr. for guitar by O.Kroha.  

Lesson 133 consists of 9 A4 PDF pages/852KB      
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Lesson no.134

#Exercise 1: G(SOL)-MAJOR scale passage with the "Legato" technique – universal, with changing dynamics (perfecting the skills acquired in the previous lesson). #Exercise 2: Variation of A(LA)-MAJOR scale in double tenths. #Exercise 3: Upward Gruppettos (1 exercise). #"MORNING OF CARNIVAL" from the film "BLACK ORPHEUS" (L.Bonfa), bars 7 – 13.

Lesson 134 consists of 11 A4 PDF pages/973KB      
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Lesson no.135

#Exercise 1: G(SOL)-MINOR scale passage with the "Legato" technique (first segment). #Exercise 2: E(MI)-MAJOR scale in double tenths (first half). #Downward Gruppettos. #Exercise 3: Downward Gruppettos (8 exercises). #"MORNING OF CARNIVAL" from the film "BLACK ORPHEUS" (L.Bonfa), bars 14 – 21.  

Lesson 135 consists of 17 A4 PDF pages/992KB. Link for viewing/downloading the video is included in the lesson.
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Lesson no.136

#Exercise 1: G(SOL)-MINOR scale passage with the "Legato" technique (second segment). #Exercise 2: E(MI)-MAJOR scale in double tenths (the whole passage). #Exercise 3: Downward Gruppettos (1 exercise). #"MORNING OF CARNIVAL" from the film "BLACK ORPHEUS" (L.Bonfa), bars 22 – 29.  

Lesson 136 consists of 11 A4 PDF pages/1.01MB      
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Lesson no.137

#Exercise 1: G(SOL)-MINOR scale passage with the "Legato" technique (the whole passage). #Exercise 2: Variation of E(MI)-MAJOR scale in double tenths. #Exercise 3: Downward Gruppettos (1 exercise). #"MORNING OF CARNIVAL" from the film "BLACK ORPHEUS" (L.Bonfa), bars 30 – 37.

Lesson 137 consists of 11 A4 PDF pages/1.02MB      
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Lesson no.138

Exercise 1: G(SOL)-MINOR scale passage with the "Legato" technique (acceleration of the performance speed). Exercise 2: F(FA)-MAJOR scale in double tenths (first half). Exercise 3: Downward Gruppettos (1 exercise). "MORNING OF CARNIVAL" from the film "BLACK ORPHEUS" (L.Bonfa), bars 38 – 47.

Lesson 138 consists of 11 A4 PDF pages/1.11MB      
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Lesson no.139

#Exercise 1: G(SOL)-MINOR scale passage with the "Legato" technique – universal. #Exercise 2: F(FA)-MAJOR scale in double tenths (the whole passage). #Exercise 3: Downward Gruppettos (1 exercise). #"MORNING OF CARNIVAL" from the film "BLACK ORPHEUS" (L.Bonfa), bars 48 – 55.

Lesson 139 consists of 12 A4 PDF pages/1.29MB      
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Lesson no.140

#Exercise 1: G(SOL)-MINOR scale passage with the "Legato" technique – universal (acceleration of the performance speed). #Exercise 2: Variation of F(FA)-MAJOR scale in double tenths. #Exercise 3: Downward Gruppettos (1 exercise). #"MORNING OF CARNIVAL" from the film "BLACK ORPHEUS" (L.Bonfa), bars 56 – 75.  

Lesson 140 consists of 14 A4 PDF pages/1.54МB. Audio file is included in the lesson.
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Lesson no.141

#Exercise 1: G(SOL)-MINOR scale passage with the "Legato" technique – universal, with changing dynamics. #Natural Harmonics. #Exercise 2: Natural Harmonics (4 exercises). #Exercise 3: Downward Gruppettos (1 exercise). #"FEELINGS" (M.Albert), bars 1 – 8. Arr. for guitar by A.Nosov.  

Lesson 141 consists of 14 A4 PDF pages/1.09МB. Link for viewing/downloading the video is included in the lesson.
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Lesson no.142

#Checking guitar tuning. #Exercise 1: G(SOL)-MINOR scale passage with the "Legato" technique – universal, with changing dynamics (perfecting the skills acquired in the previous lesson). #Exercise 2: Natural Harmonics (3 exercises). #Exercise 3: Downward Gruppettos (1 exercise). #"FEELINGS" (M.Albert), bars 9 – 16.    

Lesson 142 consists of 10 A4 PDF pages/1.25МB    
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Lesson no.143

#Checking guitar tuning. #Exercise 1: Two exercises for developing virtuosic playing. #Exercise 2: Natural Harmonics (5 exercises). #Exercise 3: Downward Gruppettos (1 exercise). #"FEELINGS" (M.Albert), bars 17 – 24.   
 
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Lesson no.144

#Exercise 1: Two exercises for developing virtuosic playing. #Exercise 2: Natural Harmonics: "AULD LANG SYNE" (Scottish Folk Song), bars 1 – 9. #Trills. #Exercise 3: Trills (7 exercises). #"FEELINGS" (M.Albert), bars 25 – 36.   

Lesson 144 consists of 21 A4 PDF pages/1.25МB. Link for viewing/downloading the video and audio file are included in the lesson.
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Lesson no.145

#Exercise 1: Two exercises for developing virtuosic playing. #Exercise 2: Natural Harmonics: "AULD LANG SYNE" (Scottish Folk Song), bars 10 – 18. #Exercise 3: Trills (1 exercise). #"FEELINGS" (M.Albert), bars 37 – 44.  

Lesson 145 consists of 13 A4 PDF pages/990КB    
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Lesson no.146

#Exercise 1: Two exercises for developing virtuosic playing. #Artificial Harmonics. #Exercise 2: Artificial Harmonics (3 exercises). #Exercise 3: Trills (1 exercise). #"FEELINGS" (M.Albert), bars 45 – 60.  

Lesson 146 consists of 21 A4 PDF pages/1.86МB. Link for viewing/downloading the video is included in the lesson.
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Lesson no.147

#Exercise 1: Two exercises for developing virtuosic playing. #Exercise 2: Chromatic scale with artificial harmonics. #Exercise 3: Trills (1 exercise). #"FEELINGS" (M.Albert), bars 61 – 76.  

Lesson 147 consists of 15 A4 PDF pages/1.35МB. Audio file is included in the lesson.
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Lesson no.148

#Exercise 1: Two exercises for developing virtuosic playing. #Exercise 2: E(Mi)-major scale with artificial harmonics. #Exercise 3: Trills (1 exercise). #"BESAME MUCHO" (C.Velasquez), bars 1 – 8. Arr. for guitar by A.Nosov.

Lesson 148 consists of 12 A4 PDF pages/719КB    
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Lesson no.149

#Exercise 1: Two exercises for developing virtuosic playing. #Exercise 2: E(Mi)-minor melodic scale with artificial harmonics. #Exercise 3: Trills (1 exercise). #"BESAME MUCHO" (C.Velasquez), bars 9 – 12.  

Lesson 149 consists of 11 A4 PDF pages/729КB    
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Lesson no.150

#Exercise 1: Two exercises for developing virtuosic playing. #Combined Harmonics (artificial harmonics combined with the standard way of extracting sounds). #Exercise 2: Combined Harmonics (2 exercises). #Exercise 3: Trills (1 exercise). #"BESAME MUCHO" (C.Velasquez), bars 13 – 20.   

Lesson 150 consists of 11 A4 PDF pages/966КB. Link for viewing/downloading the video is included in the lesson.
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Lesson no.151

#Exercise 1: Two exercises for developing virtuosic playing. #Exercise 2: Combined Harmonics (first segment of the exercise). #Exercise 3: Trills (1 exercise). #"BESAME MUCHO" (C.Velasquez), bars 21 – 24.   

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Lesson no.152

#Exercise 1: Two exercises for developing virtuosic playing. #Exercise 2: Combined Harmonics (second segment of the exercise). Staccato. #Exercise 3: Staccato with the right hand (4 exercises). #"BESAME MUCHO" (C.Velasquez), bars 25 – 33.

Lesson 152 consists of 11 A4 PDF pages/1.11МB. Link for viewing/downloading the video and audio file are included in the lesson.
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Lesson no.153

#Exercise 1: Two exercises for developing virtuosic playing. #Exercise 2: Combined Harmonics (third segment of the exercise). #Exercise 3: Staccato with the right hand (E(Mi)-major scale.) #"TICO-TICO NO FUBÁ" (Z.Abreu), bars 1 – 9. Arr. for guitar by A.Nosov.

Lesson 153 consists of 9 A4 PDF pages/813КB    
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Lesson no.154

#Exercise 1: Two exercises for developing virtuosic playing. #Vibrato. #Exercise 2: Vibrato (3 exercises). #Bending. #Exercise 3: Bending (2 exercises). #False Vibrato. #Exercise 4: False Vibrato (2 exercises). #Exercise 5: Staccato with the left hand (E(Mi)-minor melodic scale). #"TICO-TICO NO FUBÁ" (Z.Abreu), bars 10 – 21.  

Lesson 154 consists of 13 A4 PDF pages/1.23МB. Links for viewing/downloading videos are included in the lesson.  
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Lesson no.155

#Exercise 1: Two exercises for developing virtuosic playing. #Exercise 2: Vibrato (1 exercise). #Pizzicato. #Exercise 3: Pizzicato with the right hand (G(Sol)-major scale variation.) #"TICO-TICO NO FUBÁ" (Z.Abreu), bars 22 – 25.

Lesson 155 consists of 8 A4 PDF pages/805КB. Link for viewing/downloading the video is included in the lesson.
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Lesson no.156

#Exercise 1: Two exercises for developing virtuosic playing. #Tambourine. #Exercise 2: Tambourine (3 exercises). #Exercise 3: Pizzicato with the left hand (G(Sol)-minor melodic scale variation.) #"TICO-TICO NO FUBÁ" (Z.Abreu), bars 26 – 29.

Lesson 156 consists of 9 A4 PDF pages/886КB. Link for viewing/downloading the video is included in the lesson.
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Lesson no.157

#Exercise 1: Two exercises for developing virtuosic playing. #Tremolo. #Exercise 2: Tremolo with different bass notes (first half). #"TICO-TICO NO FUBÁ" (Z.Abreu), bars 30 – 38.

Lesson 157 consists of 9 A4 PDF pages/775КB. Link for viewing/downloading the video is included in the lesson.
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Lesson no.158

#Exercise 1: Two exercises for developing virtuosic playing. #Exercise 2: Tremolo with different bass notes (the whole passage). #"TICO-TICO NO FUBÁ" (Z.Abreu), bars 39 – 46.

Lesson 158 consists of 9 A4 PDF pages/909КB
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Lesson no.159

#Exercise 1: Two exercises for developing virtuosic playing. #Tremolando (Chord Tremolo.) #Exercise 2: Tremolando with the index finger (1 exercise). #"TICO-TICO NO FUBÁ" (Z.Abreu), bars 47 – 55.

Lesson 159 consists of 9 A4 PDF pages/1.25МB. Link for viewing/downloading the video is included in the lesson.
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Lesson no.160

#Correct tuning of the guitar. #Exercise 1: Two exercises for developing virtuosic playing. #"Flamenco" technique. #Exercise 2: perfecting the "Flamenco" technique. #"TICO-TICO NO FUBÁ" (Z.Abreu), bars 56 – 75.

Lesson 160 consists of 17 A4 PDF pages/2.02МB. Link for viewing/downloading the video and audio file are included in the lesson.
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Lesson no.161

#What are musical intervals, #Ways to play intervals, #Number of intervals, #Quality of intervals, #Simple basic intervals, #Simple derived intervals, #Structure of simple intervals, #Compound intervals, #Diatonic and hromatic intervals, #Consonant and dissonant intervals, #Enharmonics of intervals, #Inversion of simple intervals, #Inversion of compound intervals.

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Lesson no.162

#FRET, KEY: 1 – Major key and formation of major note rows; 2 – Minor key and formation of note rows; 3 – Parallel major and minor keys; 4 – Enharmonics of keys; 5 – General rules for signs of alternation following the clef; 6 – Determining the number (and the quality) of signs following the clef without forming note rows.

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Lesson no.163

#CHORDS. TRIAD (structure, formation):
1 – Major triad, Minor triad, Augmented triad (major triad sharp five), Diminished triad (minor triad flat five); 2– Basic triad; 3 – Inversion of triads.
#SEVENTH CHORD:
1 – Seventh (dominant seventh), Minor seventh, Half-diminished seventh (minor seventh flat five), Diminished seventh, Major seventh, Minor-major seventh, Augmented-major seventh (major seventh sharp five);   
2 – Inversion of the seventh chord.

Lesson 163 consists of 15 A4 PDF pages/1.34МB    
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Lesson no.164

#NINTH CHORD (structure, formation):  
1 – Major 9th, Dominant 9th, Minor major 9th, Minor dominant 9th, Augmented major 9th, Augmented dominant 9th, Half-diminished 9th, Half-diminished minor 9th, Diminished 9th, Diminished minor 9th;
2 –  Inversion of the ninth chord;
#ELEVENTH CHORD. THIRTEENTH CHORD.
#SEVENTH CHORD WITH A REPLACED TONE (structure, formation):
1 – Minor seventh chord with a quarter tone, major seventh chord with a quarter tone, major seventh chord with an augmented tone;
2 – Inversion of the seventh chord with a replaced tone;
#CHORD WITH AN ADDED TONE (structure, formation):
1 – Major triad with an added major sixth interval, minor triad with an added major sixth interval, augmented triad with an added major sixth interval, major triad with an added minor sixth interval, minor triad with an added minor sixth interval;
2 – Inversion of the triad with an added sixth interval;

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Lesson no.165

ALPHANUMERICAL DESIGNATIONS OF CHORDS.

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My thoughts on...

About Perfecting Performance Techniques. These lessons are aimed at continuing to perfect performance techniques by learning chromatic scales (by means of semitones). We'll also finish learning grace notes (the most difficult of them – gruppettos and trills – are left to learn) and double note scales (by means of intervals). Furthermore, we'll learn such playing techniques as "Staccato," "Tambourine," and "Harmonics." Basically, we've got work to do. As we know, GUITAR TRAINING requires a lot of time and effort. But I assure you that all these efforts won't be for nothing. All techniques to be learned will be useful for you.

About Compositions to be Learned. Enriching your repertoire is a no less important part of training. Let's take a look at the compositions we are going to learn. They include melodies from the movie "Black Orpheus," "Feelings," "Besame Mucho," and "Tico-Tico" – compositions which can be considered immortal and will always be familiar to everybody. And, of course, I made my own arrangements for these compositions: "Guitarist's Library" > "Guitar Solo" > "Sheet Music + Tabs". Why do we need new arrangements if the previous ones are good enough? Because life is an evolving process and as times change, our feelings, ideas, and thoughts change, as well. That's why sometimes I want to return to the compositions I once worked on to look at them through the eyes of an "experienced" person.

About Strumming Techniques. The lessons comprise not only traditional playing techniques, but also strumming ones, including the "flamenco" technique.

I was once at a guitar concert and overheard two intelligent-looking men speaking about the use of the strumming technique. And what I overheard did not please me. They said it was a technique that only suited the youngsters playing in parks... Of course, I disagreed and had an urge to thrust myself into the conversation. But when I saw in their eyes unshakable confidence in their words, I put this urge aside. Why should I explain something to people whom it seems impossible to prove wrong?

And it occurred to me that there are probably a lot of guitarists who are of the same opinion. So, I decided to say a few words on this technique here. My dear friends, the strumming technique is an extremely powerful means of achieving artistic expression (quintessential is the "flamenco" technique that involves everything referring to the term "strumming"). Rejecting this technique will significantly lessen the capacity of your guitar. Just try to play some songs of Spanish, Portuguese or Latin American authors who have proven themselves as "classic." Or at least listen to these masterpieces if you are incapable of playing them. And you will understand that the strumming technique is not just acceptable, but necessary to use.

As an author of guitar arrangements, I also very often express the middle note line using the strumming technique (while melody and bass are played in the classical way). Why? Firstly, to provide the middle note with a clearer thrust, typical to the sound of the rhythm guitar, which usually has an individual part in rock or pop bands. Secondly, because it's more comfortable to play dotted rhythm – which very often occurs in the line of the middle note – by means of the strumming technique. Thirdly, to achieve the illusion of several guitars playing while the composition is played only by one guitarist. And I can say that I am able to do this. The commentaries are good proof of this: "Is it true that everything we've listened to in the section "Sheet Music + Tabs" of your website is played only by one guitar?" My dear friends, it's true. The sheet music of these compositions prove this. If you have time, listen to these compositions, too. My archive of audio files is always available for you to use

I wish you success in getting to know this wonderful world of GUITAR!  

Andrey Nosov